Review: Grado Labs PS 500 Headphones by George Walker Petit
My friend and I got into it pretty quickly yesterday – usually takes us an hour or so to start the one-upsmanship, but yesterday it was like ten minutes. Must have been the caffeine.
The Grado PS 500 sells at an MSRP of $600.
SSL or Neve? API pre’s or Grace or Millennia? There is so much to consider: price point, budget, task at hand and what we need for a solution. Some gear just fits a certain job perfectly, some gear can transcend. It’s a fun time usually, arguing these points – I tend to learn something most of the time.
But here’s a new one that twisted me up a tad: We recently ended up talking “headphones” and started making comparisons, and this led us to the new Grado Labs PS500.
You folks that have read a few of my articles know that I am an advocate of mixing (or partially mixing) in headphones. To be brief, it depends on the music, the headphones and headphone amplifier, but I am a fan of this technique and have had GREAT results.
To me, a great set of ear-goggles needs to obviously be accurate, with a frequency range that will more-than-adequately represent ‘truth’ in the music, not hype in any specific range. They also need to be comfortable, as I am likely to spend a significant amount of time working in such an environment. Finally, they need NOT to fatigue, and that, as I have found with the 500’s — and as with all Grado headphones I’ve used to date — is indeed possible.
My tools of choice are Grado PS1000 phones and an SPL Phonitor amplifier (more than just an amp, really). And I have been known to A/B with earbuds, high-end IEM’s and even…speakers!
The folks at Grado [which is based in Brooklyn, NYC – ed. note] recently sent a pair of their new PS500’s to me for review and testing. The dynamic, open-air PS500 is part of their “Professional Series”, featuring a vented diaphragm and hybrid air chamber, and sells for MSRP $600.
And here are my impressions.
HEAD ON
Somewhat smaller than the PS1000’s, they fit “on” the ear and not over/around the ear. Again, different, but they fit well and I was not bothered by this after the first ten minutes.
They are lighter in weight and have the quality look and finish one expects from a Grado product. In the words of Iago, “reputation, reputation…” The copper cable is heavy, the specs are outstanding and can be found on their website, with numbers of frequency range and construction.
I was immediately curious as to why Grado would release a product so close in profile to the 1000’s? Were they shooting themselves in the foot here?
Well, the sound is magnificent. Clarity, definition and focus are outstanding, the low end is tight and right, and the highs don’t fatigue or make you blink with pain. At any level they speak clearly and with authority. I was pretty impressed, pretty fast.
In a short period of time, I was just bouncing around various recordings, impressed with each landing. Classical and jazz sounded so life-like in focus and soundstage, rock rocked and the spoken word (thanks to a few audio books I own) sits right in front of your eyes. I could find nothing to turn me off these headphones.
Only the Grado Labs PS1000 rates higher in GWP's book.
IN COMPARISON
Except perhaps my PS1000’s. And here is where the truth of all this hit me. The PS1000’s is truly the finest I have ever heard. Ever. But these 500’s sounded so fantastic! Almost as good as the 1000’s, but not quite…so why in heaven would Grado release a unit at one-third the cost of their flagship unit? Surely they were shooting themselves in their feet.
In fact no — they were shooting their competition in THEIR feet. Because at an MSRP of $600, there is absolutely NOTHING on the market that comes even close. The 1000’s are better, no question. But the 500’s? This is the perfect headphone at any price lower than about $1200…they are astounding.
I took my pair out to a recording session in L.A. and asked the entire band and the assistant engineers to try them. They were ALL blown away, and then I took the 500’s to a jazz session in NYC and asked the acoustic bassist, Phil Palombi to give them a go. He wants a pair.
I purchased a Pelican case for the 500’s and for the 1000’s as well and take one or the other pair on the road with me when I know there will be critical listening to do…to mix or edit music that will be released. I also bring my SPL Phonitor…but that is another story!
So, Grado hits it out of the park yet again: American-made, gold wire, low impedance, un-hyped bass, truth in sound.
It is as simple as this: They are fantastic, they kill everything below $1200 out there and come in at $600. I think you’d be crazy not to audition a pair.
Off you go then…
Cheers –
George Petit
Guest1029
November 15, 2011 at 11:59 pm (13 years ago)Something just doesn’t seem right about this review…
gp
November 16, 2011 at 1:10 am (13 years ago)how so?
Rūdolfs Putniņš
November 16, 2011 at 12:35 am (13 years ago)Gold wire?
gp
November 16, 2011 at 1:09 am (13 years ago)“… Grado achieved this minor miracle by applying the lessons learned in constructing the wondrous PS 1000s. While still using mahogany to cover the motors, they added aluminum shells to double dampen the housing and kill vibrations. This sandwich design creates the most neutral performance under $600. The large diaphragms contain rare earth metals, including gold wire for maximum definition. The connecting cable is Grado’s newest formula, with some fifteen wires enclosed in a proprietary shell. By being American made, they save big bucks from having to import phones from China and can, instead, bulk up on the technology. The PS 500s are available now as you read this review…”
Joe Coquelle Di Lecce
November 17, 2011 at 1:49 am (13 years ago)Hello George :o)I’m considering to buy the PS500 or RS1 or RS2.The current set up is the SR225i.I listen all kind of ‘sounds’, being mostly instrumentals from world to jazz&dance (& sometimes from classical to rock).What would you advice? Thank you for your passion! :D)))
george
November 26, 2011 at 4:37 pm (13 years ago)Hi, Joe ! I do not own the RS1 or RS2…I own the PS500, the PS1000, the SR325 and the IEMS…the 8’s and 10’s.
I think it is likely an issue of budget to be fair…I can only say that the 500’s sound fantastic, but if you can afford them, the 1000’s are pretty much the end of your search for some time to come !
All the best – G
Joe Coquelle Di Lecce
November 28, 2011 at 1:34 pm (13 years ago)Hello George,
Thank you for advising!
I’m reconsidering the Grado’s now, yesterday the right driver of the SR225i blowed away for the second time since the bought, in August.
All the best,
Joe
Robert L. Smith
November 17, 2011 at 5:59 pm (13 years ago)BIG Grado fan. Couldn’t mix without them. Thanks for the review
Info
November 26, 2011 at 4:35 pm (13 years ago)a pleasure…check out the SPL Phonitor, Robert…
John Reeves
November 25, 2011 at 6:55 pm (13 years ago)*I purchased a Pelican case for the 500’s and for the 1000’s* Big time Grado fan looking to upgrade. Wich case was it you purchased
Info
November 26, 2011 at 4:34 pm (13 years ago)I purchased two cases from a company called HIGH PERFORMANCE RESIN CASES…made in Italy and available at all good camera shops. I mentioned ‘Pelican’ because they seem to be the brand with recognition…my cases work great though…
HateMan
January 17, 2012 at 10:30 pm (13 years ago)sounds awesome, i want a pair badly
Stacker45
February 23, 2012 at 3:48 am (13 years ago)I agree 100%,i compared them to the RS1i,wich is much more expensive and found the sound very similar,but the PS-500 have more bass and this gives them a warmer sound,so now i’m waiting for my new PS-500 to come in