AlexB Launches ORbital eQ, ORbital Dynamics Plugins – Classic EQ & Compressor/Limiter
When AlexB launches a new plugin – we listen.
Nebula3 can house two new modeled classic units from AlexB.
His latest editions start with the ORbital eQ, an “American classic all-purpose equalizer” which looks to be modeled after the acclaimed Orban 672a. Next is the ORbital Dynamics Plugin, delivering the “big FM sound” courtesy of inspiration from the Orban 424a.
AlexB’s plugins are modeled after classic, physical hardware, and turned into sampled libraries exclusively for the Nebula VST environment. The Nebula VST plug-in is a virtual housing for “libraries” that are sampled in such a way that providers can produce high quality and accurate emulations straight from the original gear.
Available now, the Orbital eQ and ORbital Dynamics Plugins are available now until November 15th for a special intro price of 24 Euro, or $30.06 at today’s exchange rates. After that, the price goes up to 30 Euro, or $37.57.
Want to learn more about how to get these two icons into the box? Read on for more details from AlexB:
ORbital eQ
American classics all purpose equalizer
This is an American classics from the 1980’s: an quasi-parametric equalizer of high professional quality. The flexibility offered by the OReQ makes it a particulary powerful tool in nearly all areas of audio: sound reinforcement, pubblic address, recording studio, broadcasting, motion picture sound, disco, theatre. Equipped with the optional output transformer and totally refurbished as new, the unit sounds clean, slightly dense with a nice mojo. The OReQ easily meets the quality, performance, and reliability requirements of the demanding professionals, and is also well suited for use in semi pro applications.
ORbital Dynamics
The BIG FM sound
Orbital Dynamics are composed by a compressor and a limiter. Both units are a classics American Broadcast dynamics and they come from an FM Broadcast station located in Texas, they have been refurbished but the original broadcast setup has been kept (upon customer demand). So the sound sampled is unusual and more on the FX side with really BIG bottom.
The Compressor (G-Ravity) has program dependent attack and release, the basic preset emulates the original unit. The Limiter (Co-Smonaut) is a pretty fast limiter at 1kernel with HF control which emphasizes the high frequency over 3kHz, as G-Ravity the basic Co-Smonaut’s preset emulates the original unit.